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Media

Spend A Social Media (Work!) Day With Me

One of the things we rarely consider is how much time we actually spend scrolling through social media. From the minute we wake up to the moment we fall asleep, we frequently fall into the trap of doom scrolling – a topic Emma Chamberlain frequently mentions on her podcast. She has spent a lot of time attempting to escape this pattern.

https://www.youtube.com/watch?v=gHDu4gyWFqw
source: YouTube

But, have we ever actually tried to hold ourselves accountable for it? If the answer is not – I’ll do it in this post.

Today, I documented and reflected on the ‘labour’ involved in my social media usage, as well as how platforms benefit from it. Are we actually getting rewarded for this ‘work’?

source: Pinterest

Sadly, even platforms like Spotify trick us into doing free labour (even though I already pay for the subscription) and create this commodification pattern almost everywhere nowadays. I had a lovely time listening to Madeline Argy’s moving to LA journey while making breakfast, though.

After this, I took a moment to scroll on TikTok. I used to spend hours (!!!) on this app. Once you start scrolling, it’s difficult to stop, especially after a long day. Videos are short and entertaining, and the algorithm always perfectly chooses what to put on my ‘for you page’ to keep me invested. 

The amount of user-generated content on TikTok is incredible, too. So many partnerships and hidden promotions, it’s hard to keep up with them. I feel constantly tricked into thinking someone’s genuinely recommending a product to me until I notice the word ‘sponsored’ at the bottom of the video. Brands don’t even have to use traditional forms of advertisements anymore since TikTok users do it for them. Also, have you heard of TikTok shop? Probably, because their ads are tied to almost all the videos on the platform now. It’s all impossible to escape.

I then moved onto Instagram and browsed through posts from magazines, brands, and my favourite celebrities. Even if I don’t often explicitly interact with them, the platform uses data such as which posts I engage with the most, to build its algorithm, which then displays more content that it believes I’ll find interesting (I usually do).

I’ve observed that Instagram ads are tailored to my preferences. I opened a link that was advertised to me in between my friends’ Instagram stories once – it was a Vogue subscription deal for only £1. I obviously had to subscribe to it. After that, I noticed a lot of similar ads appearing on my Instagram page.

And lastly, Facebook’s Messenger. It’s an app I use to keep in touch with my family and friends from home. It is surprisingly also a form of digital labour. With each conversation, Facebook gathers more information about me. One of my friends is already trying to avoid it due to its tracking and data collection. And if you don’t care about that – I think it steals more of our time than needed, creating an environment of the ‘need’ of sending your friends every screenshot or a selfie all the time.

After today, I noticed a huge and constant pressure of connectivity online. Each and every social media we use is designed to keep us online taking an outstanding amount of time from our everyday lives. Is this something we’re aware of on a daily basis? I think it’s too normalised for us to realise how much we actually pay for our online presence.

Anya Mayerowitz in Glamour’s article pays attention to the risk of ‘becoming irrelevant’. I think it is a great example of today’s world and social media usage. The creation of this social media ecosystem and the need for constant usage and connection is becoming increasingly invasive and the digital work we, as the users, do is something we should pay more attention to.

Is it worth the hassle? Are those platforms really ‘free’? What do you think about it? Leave a comment down below! 😛

Categories
Media

The Development Of Polish Media Broadcasting

Recently, I came across McChesney’s book: “Rich media, poor democracy: Communication politics in dubious times”. It inspired me to write this post since I believe that the Polish community has a great understanding of McChesney’s words. Poland, as a nation, is highly aware of what he was worried about – about who’s delivering the news. 

Media being non-political and independent is a crucial part of democracy. Polish media is (or was?) very politically influenced which has a big impact on media delivery.

In recent years, TVP’s main evening news broadcasts, and TVP Info, became a propaganda machine for the PiS government, and the new coalition, led by pro-EU Prime Minister Donald Tusk, had promised voters to turn state media into a platform for “reliable information”.

~ BBC
source: NPR

McChesney in his book highlights that how media functions in nations should be a much bigger topic. It is worth our attention as it affects the opinions of many people and

plays (…) a central role in (…) having an informed and participating citizenry”.

He highlights how “a media system should serve the entire population and promote democratic rules”. Does Polish media follow this thinking? Let’s find out.

The media in Poland today is mainly shaped by capitalist principles. But this hasn’t always been the case in Poland’s media landscape. The majority of the media was under state control throughout the socialist period, which ended in 1989. Private media enterprises grew as a result of Poland’s shift to a free-market economy following the fall of communism.

Despite this shift, the influence of the past socialist system could still be seen in the media landscape even resulting in acts that might be considered as propaganda (highly politically motivated and driven) up until recently.

Source: Notes from Poland (2021) – in translation: The Donald Tusk’s campaign of lies 

TVP is a public broadcasting channel (government-controlled) that is known for its strictly political influence and drive. TVP media accounts for about one-third of the broadcasting market in Poland. Ultimately, despite a variety of channels to choose from – TVP remains one of the biggest and most influential, channels in Poland. 

In 2021, TVP provided almost 100% negative coverage of former opposition (during PiS’s governance) leader. Headlines such as “Tusk in the club of Putin’s friends”, casually headlined Wiadomości (TVP’s main news programme) the day after Tusk’s return. Moreover, The National Broadcasting Council (KRRiT), whose members are controlled by PiS allies, has used its licensing powers to intimidate different broadcasters such as TVN

source: wyborcza.pl

Major reforms have been implemented in several industries after the 2023 election (a change in the ruling party). In the past, Poland was moving towards a similar direction to that of Russia or Hungary where political forces are gaining more control over the media and endangering democratic norms. However, Poland’s current Prime Minister, Donald Tusk (yes, the one getting hate on TVP), has made protecting media independence and making changes a top priority in order to guarantee more freedom and transparency in Poland’s media environment.

Therefore, Poland experienced some changes and its media space is a better place for everyone now. Previous acts, however, were in line with McChesney’s idea, which emphasises how media that is excessively influenced by economic and political factors can sabotage informed discourse and public benefit by serving specific agendas rather than encouraging diverse, democratic conversation.

Younger generations who rely more on the internet and social media platforms for news have access to a broader range of viewpoints and global events. However, for many older people, TVP and even TVN present (or used to) a narrow, politically charged view of the world, focused heavily on national political disputes. This limits the potential for diverse, informative news coverage.

In Poland, the media landscape prevented people from engaging with global issues and understanding the full scope of what is happening in the world. The focus on political ‘news’ at the expense of other important topics further perpetuates a narrow, one-sided perspective.

Have you heard of this controversy before? Let me know in the comments if You’d like me to elaborate on the topic of Polish broadcasting scene.